Updating website

Currently I am in the process of updating my website and it is a steep learning curve for me….so my apologies if the pages look different or don’t have information and images.

So please bear with me and I’m hoping it will all be sorted very soon!

Chrysalis in progress




Kicking off the year – borders and bridges……

Kicking off my year is an entry in the Borders and Bridges Challenge – the theme for the 2018 Australasian Quilting Convention(AQC) challenge.  Looking through my photographs I was surprised by how many photos of ‘bridges’ I have taken over the years.  This made me curious about why?

Last year a word that became important to me as I reflected on my work was ‘structure’. The word ‘structure’ is both a noun and a verb and I realised it is often the structure of nature/objects that appeals and what I look for when I am photographing.  Bridges are structures, often quite complex structures and there is something about the “arrangement of and relations between the parts or elements of something complex” (Google) in bridges that appeals to me.  From old fashioned bridges and aqueducts in Europe, to modern sleek bridge designs in China, to everyday bridges over rivers in the cities that I have lived in……this is a drawing of an Italian Aqueduct, done in 1999 that is yet to be realised into an artwork!  

Also last year I discovered Elizabeth Barton’s book “Inspired to Design” and kept being drawn to her chapter on Size, Shape and Structure.  In this chapter she writes “Having a clear design structure provides unity and pulls the design together, and unity depends upon organisation.”  This is the verb meaning of structure:- to ” construct or arrange according to a plan; give a pattern or organisation to”.

Even if I intuitively know this design element, it is good professional practice to be able to both reflect on and verbalise how I am working.  On the Borders and Bridges piece I worked both intuitively and consciously on ‘structure’; beginning with a photograph of a bridge railing and its shadow that grabbed my attention one day as I was cycling along. The strong graphic qualities of this image immediately appealed, and has resulted in several quilt designs.  This painted ‘cartoon’ is the result of playing with and rearranging those initial graphic qualities and was the beginning of my latest quilt.

In thinking about borders and bridges I looked up quotes on both words and found quotes that took their meaning out of the literal and into a deeper symbolic meaning.  So I decided to ‘write’ them in thread across the red bands.  I began creating a sample……and liked the positive/ negative aspect of the cutout.  To me it supported the quote “The only true borders lie between day and night, between life and death, between hope and loss.” (Erin Hunter) which is ‘written’ on the quilt.

The structure of this quilt is inspired by railway tracks on a local rail bridge, with strong vertical lines and bands of horizontal lines.  The serendipitous aspect of this is how it changes from being a border (bridge railing) to a bridge and in my artists statement my final words are a challenge – ” The title ‘X Marks the Spot’ means ‘showing the location’ – are we creating a border or a bridge?”

Once I had the quilt structure sorted the quilting design seemed obvious – straight vertical lines(photo at top of page).  For me quilting pulls back or ‘beds’ the raw edge applique and creates almost a canvas feel that allows me to draw with my sewing machine on top – creating another layer.  It was difficult to decide which quotes to add because I found some wonderful quotes such as:

Thomas Pequet (French Astronaut)  ” It takes all of this technology to come up here and understand the simplicity of things.  From here, its really difficult to understand borders, wars and hate.”

Julie Andrews “The arts bridge cultures; they’re good for the economy, and they’re good for fostering empathy and decency.”Art Quilt - X Marks the Spot

However those two quotes didn’t make it to the quilt – maybe they will be on the next one!

What I have realised at the end of this process is that it doesn’t matter if this art quilt is accepted or not….what is really important to me is that I have given voice to something I feel quite strongly about and perhaps it is the Art Therapist in me! – in my contact and communication with others am I creating a border or a bridge?

Final comment is a quote that made it to the top of the art quilt: “I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground” TD Jakes



Reflections, 2017…. a year of challenges

Reflections and looking forward to 2018…..After all it is that time of year for reflection and forward looking….In writing this blog I realise how much the word ‘challenge’ has figured in my year.The last few weeks have seen us exploring some of the wonderful scenery of the Bay of Plenty and Tongariro National Park.  Not only has it given me reflecting time but also lots of inspiration.In sorting through and filing my photographs I see many landscape images that inspire me so I suspect there will be landscape artworks emerging.  Maybe it is lining up with the fact that I am teaching a ‘Linear Landscapes’ thread painting workshop at the ANZEG National conference in July this year.‘Reflections’ – before I get too far ahead  into 2018 I need to reflect on 2017…….it was a big year creatively, beginning the year with a continuation of work towards a solo exhibition in September at Timeless Textiles, Newcastle, Australia. A solo exhibition in itself is a huge commitment of time and energy, but it is also a wonderful time of immersing oneself in the theme. I also find that the more I create, the more inspiration and ideas I get; in Maya Angelou’s words “You can’t use up creativity.  The more you use, the more you have.”

But alongside working towards the exhibition were other projects and challenges.  In January my Art quilt “Peace by Piece” was included in the Blessington Quilt “Secret Dreams” challenge and was exhibited in Brisbane.  Then in February “An Ode to Oz Flora” was accepted as a finalist in the AQC Flora and Fauna travelling exhibition, which then toured in both Australia and NZ.

Next on the agenda was working towards the “Stitched Up” invitational exhibition. This wonderful exhibition stretched me way outside my comfort zone and saw me working in a very different way; using words, figures and clothing as motifs in the artworks.  

The resulting two artworks were titled “Layers, Labels and Paper Dolls 1 & 2.  No 1 which had the sub-title ‘The Story’ went on to be exhibited at the 2017 NZ Quilting Symposium in Christchurch.

No 2 subtitled ‘The Confusion’ was accepted along with ‘Dancing Kangaroo Paws’ into  the 2017 Art Quilts Australia exhibition held at the Queen Victoria Museum and Art Gallery, Launcestion.

Smaller challenges were completed in and around the bigger challenges and exhibitions – I also entered small quilts into the Aotearoa Quilters ‘Fragile’ and ‘Orange’ challenges and an embroidery in to ANZEG’s ‘Outrageous Orange’ challenge.  The orange challenges also took me outside my comfort zone; it is not a colour that I have previously chosen to use as a dominant colour but what a great opportunity to explore and achieve a level of comfort with this wonderful colour. 

Phew…no wonder I felt exhausted at the end of the year and needed some time out!   I’m also thinking that I need end the  “reflections’ for 2017 and the looking forward to 2018 will be the next blog…..so till then.


Following on…re workshops….and an atelier

What is an ‘atelier‘? This blog follows on from my last blog on workshops, teaching and learning and includes my thoughts on discovering the word ‘atelier’ and its meaning.   The images on this blog are from the recent weekend of teaching. It was a wonderful weekend of creativity and learning with participants from the Tauranga Patchwork and Quilting Guild.

I have also been reading an interesting book called ‘The Art of Work’ by Jeff Goins in which he “recaptures the ancient understanding of vocation as more than just a job, or even a career, but as a passion-fueled calling that makes each day an exciting adventure”. It is a fascinating read and I’ve just finished reading a chapter called “Accidental Apprenticeships” in which he writes about the resurgence of apprenticeship. Although it is not a book about art he cites a fascinating example of an artist in New York called Ellen Frank who is reviving an old practice not used since the Renaissance. Apparently her “studio is called the Illumination Atelier and is a haven for live-in artists(interns as she calls them) who want to work under the guidance of a true master.” I rather like the French word Atelier which means workshop and “during the Middle Ages these were the main areas of education for artists.”

The more I read of Ellen Franks studio and ‘atelier’ practice the more I have become intrigued by this way of working. She began a “foundation which provides support and housing for interns who want to learn illumination.” In her studio “interns are involved in the whole process: from imagining the initial concept of a piece, to the creation of it, to even the important business decisions that have to be made for the foundation. They always get their names added to the work they do.”

Wow, imagine an apprenticeship for an artist,… a textile artist,… an art quilter……I have a Visual Art degree( yes it feels like a long time ago now!) and it was an important milestone for me in my artistic journey but we only had one semester of business. This basically consisted of working through a book that the lecturer had written. How valuable it would have been to have had the opportunity to work as an intern in an ‘atelier’ with a textile artist……


Workshops, learning & teaching opportunities….

The school holidays are over and this weeks main focus has been about preparing to teach a workshop titled “Adding Another Layer”, which I am really looking forward to.  Even though I have many samples that I could use, I have been experimenting and creating more samples.  Pushing outside my comfort zone can be fun but it can also be frustrating; yesterday was frustrating, today was fun!

It got me thinking about the recent YouTube video that Anne Kempton from Timeless Textiles released; a conversation about my recent exhibition at Timeless Textiles, and one question in particular that Anne asked me: “why do I enter competitions and shows?”  A good question but one which I felt like I only gave half an answer to, something like “its one way to raise your profile as an artist”. The other half of the answer is “it’s an opportunity to push myself further in my creative work”.  Much like an exhibition and/or a workshop, it is an opportunity to grow and develop. And for me that is a significant part of the quest – to grow and develop.  

My goal in teaching a workshop is for the participants to have the opportunity to learn, to grow and develop in a new skill or in finding their creative voice and so I must be prepared to do the same.  (Next year I am participating in an 8 month online Master Class facilitated by Jette Clover from Belgium – I am both excited and daunted!)

Back to teaching opportunities…..

Just released online is the brochure and registration for the ANZEG(Association of New Zealand Embroiders’ Guilds) national conference titled “Centre of Things”.  My proposal to teach a thread painting workshop at the Conference was accepted a while ago and I am really looking forward to teaching at this conference.  The theme of my workshop is Linear Landscapes and my rationale for choosing this theme is that our landscape is central to our existence, our landscape is at ‘the centre of things’.

Post exhibition thoughts on ‘Natures Exuberance’……

Last week my exhibition “Natures Exuberance” opened at Timeless Textiles in Newcastle, Australia – it was the culmination of many, many months of work. As the exhibition was being hung I could see my creative journey over the last two years documented in the work and it was a special time of reflection mixed with feelings of excitement and nervousness. Fortunately the art work was hung by Anne Kempton(Timeless Textiles) and a helper, Cathy – the decisions taken out of my hands as to where to hang – a relief!

Recently I shared TextileArtist.org’s FB post “Creativity requires the courage to let go of certainties” Erich Fromm, with the question “Is courage a vital part of creativity?”  My response is “Most definitely!”

Its one thing to spend my days squirreled away in my studio creating, and quite another to create a body of work and hold a solo exhibition; it requires courage to let go of certainties.  There are many uncertainties – will the work hang together as a cohesive collection, how will it be received, will anyone come to the opening, etc., but there is also a sense of excitement and anticipation that builds as the opening date looms closer.

Opening night saw me there early, the work was hung; I could do no more but enjoy the night and the people who chose to come.  Some are friends who come to support me, others I meet on the night…. Anne officially opened the exhibition and I spent my evening talking to people about my work.  It was a lovely evening and I enjoyed talking to those who had a desire to know more about my work, my inspiration, and my technique.


The gallery, Timeless textiles, is a lovely heritage building and some features of the buildings  worked beautifully with my work, for example the gorgeous fireplaces.  The exhibition runs till the 8th Oct 2017.


What’s in a ‘Title’?

Interestingly after posting on Facebook last week about being at the stage of giving a title to my exhibition images I received in my Inbox an email from an art site, Artsyshark, that I subscribe to titled “The Importance of Artwork Titles”.  How timely was that?  Sometimes titles come easily, sometimes they are a struggle but they are an important part of creating.  In the Artsyshark email, editor Carolyn Edlund writes that “words add value, whether they are embedded in the image itself, or are used in a title”.

I love words, and I enjoy reading and earlier this year I created two art quilts for the “Stitched Up” exhibition and it was really important for me to use words and embed them into the image.

However in working towards my new exhibition “Natures Exuberance”, the visual experience has been the most important and finding titles seemed a secondary consideration. Usually, while I am creating I will consider what the image is giving voice to and what a title might add to the image, sometimes its obvious other times its not, sometimes it emerges slowly and other times I need help to refine it.  As Carolyn Edlund writes a title might “define, delight or challenge the viewer”, but a good title will add ” another layer to the story and deepens the connection to the artwork”.

For example: in creating the Art Quilt titled “The Meeting”, I spent a lot of time playing with how to place these hand painted  seashells, and what background to place them on.





I liked the shells on cream and on the blue/green fabric but as soon as I put them on the red with the blue spirals it felt right. Placing them on a red background felt like placing them on a beach rock shelf and the quilting (free machined) is reminiscent of water flowing in and out over the rocks.   I immediately thought they remind me of a meeting or gathering.   A meeting or gathering of like minded ‘people’ – a family or a business meeting….The title adds another layer and deepens the connection…the title ‘The Meeting’ takes the image from being merely an image about shells to a story that we can all relate to, e.g., a family gathering, or a meeting of like minded friends, business associates or a group of people who share the same recreational interest.


Natures Exuberance…an exhibition….

Several years ago I booked an exhibition at Timeless Textiles, (Newcastle, Australia), and a little over a year and a half ago I titled it “Natures Exuberance” Why?  Because I am constantly being confronted and inspired by the wonder of the natural world and natures ability to assert itself.  My mantra in the last few years seems to have been about finding the extraordinary in the ordinary.  In living such busy lives we filter out much of the natural environment around us, unconsciously filing it in our minds as ordinary and unremarkable.  Sometimes we need to take the time to stop and experience the amazing natural world we live in.

I have just finished reading Hugh MacKays (Australian Social Researcher and Author) book “What makes us Tick?  A wonderfully insightful book and I love that in one of the chapters he discusses our basic human need to be not only connected to ourselves and to each other but also to nature.  I know that if I take the time and wander in the bush or reserve near my home or even spend time pottering in the garden it re-centres my world and there would be very few times that I wouldn’t find something inspiring.

In a recent conversation with my husband I remarked that it would be completely feasible for me to stage several exhibitions with the same title because the inspiration is almost limitless.  This exhibition is a very minute sample of natures exuberance.  In two ways this exhibition showcases the way I work; in content and in technique.  Technique by showcasing my ability to draw with my sewing machine in both thread paintings and art quilts.  In theme; by the way I work, reducing the subject matter to its simplest form before expanding it out again, often using artistic licence to creatively re-imagine the subject.  In working towards this exhibition I have been using colour, pattern, line and structure to portray the exuberance, the vitality, energy, richness and luxuriance of what I observe or have observed around me.


It has been a while since last writing a blog post…..the inspiration for writing has been non-existent!  After the intensity of working towards the “Stitched Up” exhibition I found it difficult to have anything else to say!

While creating for the Stitched Up exhibition I was also steadily working towards my solo exhibition “Natures Exuberance”.  However as soon as the Stitched Up pieces were posted I needed to dig deep and ramp up my energy again for the final focus on my exhibition.   Sometimes when I feel a little creatively dry I look through my photographs and it isn’t long before I find my creativity  sparking again.  So, recently as I was looking through my photographs,  I was struck by what I saw as the connection between these two images.  There was no conscious connection as I was creating the lace(which is not created recently) but I have been pondering the idea of what we observe consciously and how details of that inspiration may come out unconsciously at a later date.  A conscious decision was made to take the photograph of the sliced red onion because it appealed to me,  but I also stored it in my creative/inspirational memory bank.  I am reminded of the movie “Inside Out” and the beautifully crafted and creative visualisation, in movie/story form, of the different memory banks in our minds and how we access them.

I love taking photographs, just for photography’s sake but also as a record for inspiration.  However I also love the idea that if we open our eyes to observing the world around us then what appeals to us in that environment can also be stored and accessed both consciously and unconsciously at a later date.

I finish with a photo taken in  one of my neighbours gardens – just love the spiral and am looking forward to one day finding it coming out in an artwork!!

Exploring shadows and selfies……

Recently I was creatively ‘confronted’  by a word challenge that was part of a textile art group that I belong to.  The word was ‘selfie’, and the idea was to create an image about that particular word.  I wasn’t excited by the prospect and struggled to visualise  how I might creatively represent the ‘selfie’ in  a meaningful way for me. However although I struggled with the concept of  a ‘selfie’, shadows intrigue me…….shadows have intrigued me since my early twenties when I took a photo of a dandelion against the concrete pavement – not particularly exciting except that there were three shadows to the one dandelion.  It made me think about what shadows might suggest, i.e., shadows give information while leaving room for imagination….for example, I love this image that my kids took of me creating a shell/sand sculpture.  I cannot see the kids in the photo but I can see their shadow which informs me that they are working together to take the photo, they are talking and perhaps giggling because they know I don’t like having my photo taken…..they think I don’t know what they are up to!

So, one day as I was out walking and pondering how to tackle the word ” selfie’, the sun was casting my shadow and I began taking photos, I also began to consider how the concept of the ‘self’ could be represented through the ‘shadow’.

Shadows have been around since the beginning of time, and have many historical and cultural meanings, for example; death, hope, soul, evil….even Peter Pan who lost his shadow……As an Art Therapist I am very familiar with the term ‘shadow’ as representing the aspects of the self that we keep hidden, or don’t wish to reveal, or don’t wish to acknowledge.

However earlier this year I was reading a book by Thomas Moore(an ex priest and a psychotherapist), and came across this sentence which spoke wonderfully to me in relation to my interest in shadows; “We have a shadow self, not dark in the sense of evil or dangerous, but the shadow that follows us wherever we go, a companion figure that inspires, warns, and guides.” Such a positive view of the ‘shadow’ self.

Putting those words together with a shadow photo that compositionally worked I decided to create a ‘selfie shadow’ in textiles, with Thomas Moore’s words stitched around the image…..I love the image as it also speaks to me of choices, directions and roads less travelled….

What do ‘shadows’ or ‘selfies’ mean for you?